New York: Lefebre Gallery, 1970. Original wraps. The uncommon catalogue based on the May-June 1970 exhibition --Roland Topor's first one man show in the USA-- at New York's Lefebre Gallery. Bright and VG+ (very light offsetting along the spine) in its stapled wrappers. Crisp black-and-white reproductions of a sample of..... More
Tucson: University of Arizona Museum of Art, 1974. 1st. Cloth. WARMLY INSCRIBED BY ISABEL BISHOP on the front free endpaper. A solid copy to boot of the 1974 catalogue. Tight and Near Fine in a bright, VG dustjacket, with light soiling to the panels and light chipping at the lower..... More
Yorkshire Sculpture Park. 1st. Original Wraps. INSCRIBED BY IVOR ABRAHAMS on the title page. A solid copy to boot of the catalogue based on the July-Sept 1984 exhibition at the Yorkshire Sculpture Park. Bright and VG+ in its white wrappers, with very light creasing along the panel edges. More
Toronto: Yaneff Gallery. 1st. Original Wraps. A very sharp copy of the catalogue based on the exhibition at Toronto's Yaneff Gallery. Bright and Near Fine in its light-brown, stapled wrappers. More
Brussels: Galerie Des Beaux-Arts Galerij, 1989. 1st. Original Wraps. A pristine copy of the catalogue based on the 1989 exhibition at Galerie de Beaux-Arts Galerij, Brussels. Clean and Fine in its stapled, off-white wrappers. More
New York: Landau-Alan Gallery, 1966. Single sheet. The uncommon announcement for the October-November 1966 exhibition at New York's Landau-Alan Gallery. A thick single sheet, unfolding into a wonderful triptype featuring well-endowed nudes. Crisp and VG+ to Near Fine, with juist a bit of light foxing. More
J. Johnson Gallery, 2003. 1st. Cloth. INSCRIBED BY JAMES JOHNSON on the hlaf-title. A clean, very sharp copy to boot of the catalogue based on the November 2003-December 2004 exhibition at J. Johnson Gallery. Bright and Fine in its oatmeal cloth. Tall quarto, fold-out plates, #44 of 500 copies published..... More
Floriad State University Gallery & Museum, 1988. 1st. Original Wraps. The catalogue of the March-April 1988 exhibition at Florida State University's Gallery & Museum. Bright and VG+ (with light rubbing at the panels) in its red wrappers. More
New York: DC Moore Gallery, 1998. 1st. Original Wraps. A pristine copy of the catalogue based on the February-March 1998 exhibition at New York's DC Moore Gallery. Bright and Fine in its pictorial wrappers. Essay by Judith E. Stein. More
Paris: Studio Paul Facchetti, 1958. 1st. Original Wraps. The catalogue based on the April-August 1957 exhibition at Paris's Studio Paul Facchetti. Clean and Near Fine in its stapled wrappers. Blindstamp of New York's Hirschl & Adler Gallery at the front free endpaper. More
Paris: Galeries Nationales Grand Palais, 1981. Original wraps. INSCRIBED BY JEAN MESSAGIER TO DORE ASHTON on the Table of Contents. A very solid copy to boot of the catalogue based on the Nov 1981-Jan 1982 exhibition at Paris's Galeries Nationales Grand Palais. Clean and VG+ to Near Fine in its..... More
New York: The French Institute/Alliance Francaise, 1977. 1st. Original Wraps. A solid copy of the 1977 catalogue. Clean and VG in its pictorial wrappers. Octavo, nicely reproduced prints and drawings thruout. More
St. Paul, Minnesota: MInnesota Museum of Art, 1973. 1st. Original Wraps. The catalogue based on the January-March 1974 exhibition at the Minnesota Museum of Art. Clean and Near Fine in its pictorial wrappers. More
Casa de Parra--Santiago de Compostela (Xunta de Galicia), 1992. 1st. Original Wraps. An As New copy of the catalogue based on the September-October 1992 exhibition at Casa de Parra. Bright and Fine in its pictorial wrappers. More
San Francisco: Museo ItaloAmericano, 2002. 1st. Original Wraps. INSCRIBED BY JOHN GRILLO on the half-title. A very sharp copy to boot of this 2002 catalogue, based on the exhibition at San Francisco's Museo ItaloAmericano. Bright and Near Fine in its pictorial wrappers. More
London: Lisson Gallery, 1987. 1st. Original Wraps. An immaculate copy of the catalogue based on the January-March 1987 exhibition at London's Lisson Gallery. Bright and Fine in its wine-red wrappers. More
Philadelphia: Locks Gallery, 1994. 1st. Original Wraps. A very clean, bright copy of the Sept-Oct 1994 catalogue based on the exhibtion at Philadelphia's Locks Gallery. Near Fine in its printed black wrappers. More
Boston University Art Gallery, 1989. 1st. Original Wraps. A sharp copy of the 1989 catalogue of the exhibition at the Boston University Art Gallery. Clean and Near Fine in its stapled, pictorial wrappers. More
Milano: Edizioni Gabriele Mazzotta, 1993. Pictorial wrappers. A very sharp copy of the 1993 catalogue based on the exhibition at Milan's Galleria del Credito Valtellinese. Crisp and Near Fine in its wonderful pictorial wrappers. Quarto, impressive examination of the work of this major Peruvian artist (1924-2006). Beautiful color reproductions thruout..... More
Buenos Aires: Galeria Palatina, 1998. Original Wraps. A very sharp copy of the catalogue based on the May-June 1998 exhibition at Galeria Palatina, Buenos Aires. Crisp and Near Fine in its pictorial wrappers. More
Darmstadt, Germany: Hessischen Landesmuseum, 1988. 1st. Pictorial Cover. The catalogue of the 1988 exhibition at Hessischen Landesmuseum in Darmstadt. Crisp and Near Fine in its stapled, pictorial wrappers. More
Darmstadt, Germany: Hessisches Landesmuseum, 1988. 1st. Original Wraps. The catalogue based on the February-May 1988 exhibition at Hessisches Landesmuseum, Darmstadt, Germany. Bright and Near Fine in its stapled pictorial wrappers. Also includes the exhibit's laid-in prospectus. More
Budapest: Muzeum Sztuki/Galeria Kiallitoterme, 1989. Original wraps. A pristine copy of the catalogue based on the March 1989 exhibition at Budapest's Muzeum Sztuki and Galeria Kiallitoterme. Tight and Fine in its pictorial wrappers. Quarto, text in Hungarian. Crisp black-and-white plates thruout. More
Vienna: Museum moderner Kunst, 1987. 1st. Original Wraps. The catalogue based on the 1987 exhibition at Vienna's Museum moderner Kunst. Tight and Near Fine in its pictorial wrappers. Blindstamp of New York's Hirschl & Adler Gallery at the front free endpaper. More
New York: Meredith Ward Fine Art, 2013. 1st. Original Wraps. A pristine copy of the catalogue based on the April-May 2013 exhibition at New York's Meredith Ward Fine Art Gallery. Bright and Fine in its stapled, pictorial wrappers. More
