New York: Lustrum Press, 1974. Original wraps. The 1974 1st edition of Mary Ellen Mark's first published book. Crisp and VG+ to Near Fine in its pictorial wrappers, with one very small closed tear along the front panel's fore-edge and light creasing at its upper tip. Tall quarto, crisp black-and-white... More
San Francisco and Carmel, CA: Stephen Wirtz Gallery and Weston Gallery, 1984. Original wraps. A wonderful Association copy: WARMLY INSCRIBED BY MICHAEL KENNA TO ANDRE KERTESZ ("for Andre Kertesz with very best wishes from a long time admirer! Michael Kenna May 1984") on the title page. A very sharp copy... More
New York: Winter House Ltd., 1971. Original wraps. INSCRIBED BY DUANE MICHALS on the title page. A very solid copy to boot of the 1971 1st edition. Tight and VG+ to Near Fine in its pictorial wrappers. Square quarto, crisp black-and-white reproductions. More
New York: Carlton Gallery, 1977. Original wraps. SIGNED BY DOUGLAS JAMES JOHNSON on the ttle page. A solid copy to boot of the catalogue based on the November 1977 exhibition at New York's Carlton Gallery. Tight and VG+ in its stapled, pictorial wrappers, with light soiling to the rear panel... More
Nuremberg: Programms der Bayerischen Staatsregierung fir Kunstler und Publizisten, 1988. Original wraps. Catalogue based on the 1988 Nurnberg exhibition of the paintings and sculptures of Geran artist Gerhard Pick. Solid and VG in its printed wrappers, with light scuffing to the front panel and light offsetting at the rear panel. More
New York: The Jewish Museum, 1969. Original wraps. The catalogue (consisting of 2 separate booklets) based on the November 1969-January 1970 exhibition at New York's Jewish Museum. Both booklets clean and Near Fine in their matching light-brown wrappers. Also includes a sharp example of the printed plastic sleeve ("a plastic... More
New York: Sidney Janis, 1968. Original wraps. The catalogue based on the October-November 1968 exhibition at New York's Sidney Janis Gallery. Crisp and VG+ (light soiling to the rear panel) in its stapled pictorial wrappers. More
New York: George Wittenborn, 1961. Original wraps. A crisp, solid copy of the 1961 2nd edition (following the 1958 1st edition, published by The Readymade Press). Clean and Near Fine in a crisp, VG+ example of the printed glassine dustjacket, with light offsetting at th edges. Internally, clean as could... More
New York: Preager Publishers (for the Whitney Museum and MoMA), 1969. Cloth. A very handsome copy of the 1969 1st edition, in its less common hardback. Clean and Near Fine in a crisp, price-intact, Near Fine dustjacket. Square octavo, high-quality color and black-and-white reproductions thruout. More
Far Hills, New Jersey: Merriewold West, 1975. Original wraps. A clean, crisp copy of the 1975 catalogue, issued out of Merriewold West in Far Hills, NJ. Tight and Near Fine in its pictorial wrappers. Square quarto, features the work of Carl Andre, Alice Aycock and others. More
New York: Whitney Museum of American Art, 1969. Original wraps. A solid copy of the catalogue based on the May-July 1969 exhibition at New York's Whitney Museum. Tight and VG+ in its pictorial wrappers, with small former owner name appearing on the front cover and the title page. Quarto, crisp... More
London: The Tate Gallery, 1972. The uncommon Joseph Beuys-designed poster accompanying "Seven Exhibitions", the seminal February-March 1972 group show (which included Beuys) at London's Tate Gallery. The poster, something of a Joseph Beuys political manifesto (translated into English), meausres 30" tall by 20" wide and is folded into eighths. It's... More
New York: The Metropolitan Museum of Art, 1979. Original wraps. INSCRIBED BY ELLSWORTH KELLY IN YEAR-OF-PUBLICATION TO THE CATALOGUE'S AUTHOR, ELIZABETH BAKER, on the title page. A solid copy to boot of the catalogue based on the April-June 1979 exhibition at New York's Metropolitan Museum of Art. Clean and VG+... More
Turin, Italy: Albra Editrice. Original wraps. A collection of 10 loose "original colour etchings" ("eau-forte, aquatinte, pointe seche") by Marino Marini, c. mid to late 1960s. All 10 color etchings crisp, clean and Near Fine to Fine. And all housed in a very presentable, off-white printed chemise. More
Milan: Galerie Mikro, 1969. Original wraps. A solid copy of the 1969 1st edition. Clean and VG+ to Near Fine in its pictorial wrappers. Tall quarto, crisp color reproductions thruout. More
New York: Forum Gallery, 1970. Original wraps. INSCRIBED BY GREGROY GILLESPIE on the front free endpaper. A very solid copy to boot of the 1970 1st edition. Tight and VG+ to Near Fine in its pictorial wrappers, with just a touch of toning along the edges. Tall quarto, high-quality color... More
Caldwell, Idaho: Caxton Printers, 1938. Nick Villeneuve. Boards. The uncommon 1938 stated 1st edition of this nonsensical guide to the mythical creatures of the Sawtooth Mountains. THIS COPY IS SIGNED BY BOTH THE AUTHOR HANK SENGER AND THE ILLUSTRATOR NICK VILLENEUVE on the title page. Tight and Near Fine in... More
New York: Random House, 1947. Dr. Seuss. Cloth. A crisp, clean copy of the 1947 1st edition, later state (Younger & Hirsch 53d {4-line copyright notice, fish mouth closed on cover}, no priority given to the variants). Clean and Near Fine in its blue-green boards, in a bright, Near Fine... More
Chicago: Scott, Foresman, 1958. Original wraps. A pair of copies of the scarce large print edition of The Cat in the Hat and The Cat in the Hat Comes Back, published in Chicago by Scott, Foresman as part of a series, c. 1958. Clean and Near Fine, off-white paper. Quarto... More
New York: Random House (Beginner Books), 1976. Dr. Seuss. Boards. A very sharp copy of the 1976 1st edition, with the correct number code. Clean and Near Fine in its glazed pictorial boards, with just a touch of light soiling at the rear panel. Quarto, riddles and puzzles in rhyme... More
New York: Random House, 1948. Dr. Seuss. Cloth. An amazingly crisp, all-but-pristine copy of the 1948 1st edition, 2nd state (in its navy-blue cloth and without the flouishes to the dustjacket). Tight and Near Fine to Fine in a bright, price-intact, Near Fine to Fine dustjacket. Tall, thin quarto, wonderfully... More
Hollywood: Capitol Records, 1950. Dr. Seuss. Vinyl. Told by the Great Gildersleeve. 45 rpm record of this rare Dr. Seuss item, featuring a fabulous color pictorial sleeve done by Seuss (based on the UPS movie and preceding the book --which was published in 1952). Both the record and sleeve are... More
New York: Oxford University Press, 1952. Tasha Tudor. Cloth. A crisp, very sharp copy of the 1952 1st edition. Tight and Near Fine in a bright, Near Fine dustjacket. 64mo (miniature), lovely Tasha Tudor illustrations (in both color and black-and-white) thruout. More
New York: Oxford University Press, 1955. Tasha Tudor. Cloth. A crisp, very sharp copy of the 1955 1st edition. Tight and Near Fine in a bright, price-clipped (and price-intact), VG+ dustjacket, with just a touch of light creasing along the rear panel's top-edge. THIS COPY ALSO BOASTS A MOUNTED TASHA... More
New York: Viking Press, 1931. Dr. Seuss. Cloth. The elusive 1931 true 1st edition of Dr. Seuss's first published book. "A Collection of Schoolboy Wisdom, or Knowledge as It Is Sometimes Written, Compiled from Classrooms and Examination Papers by Alexander Abingdon, and Illustrated by Dr. Seuss" (from the title page)... More
