Princeton University Press, 1981. Cloth. A very sharp copy of the 1981 1st edition of this scholarly examination of Eisenstein's "Ivan the Terrible". Tight and Near Fine in a crisp, Near Fine dustjacket, with just a touch of light rubbing to the rear panel. Octavo, dozens of black-and-white and color..... More
Paris: Editions Le Terrain Vague, 1964. Original wraps. A major Association copy: INSCRIBED BY LOTTE EISNER TO KARL FREUND, THE LEGENDARY CINEMATOGRAPHER OF BOTH "METROPOLIS" (1927) AND "DRACULA" (1931). IN ADDITION TO PHOTOGRAPHING THESE 2 HIGH SPOTS OF EARLY CINEMA, FREUND ALSO DIRECTED "THE MUMMY" (1932) AND "MAD LOVE" (1935..... More
New York: Grosset & Dunlap, 1926. Cloth. A handsome copy of the 1926 1st edition AND Douglas Fairbanks photoplay edition. Solid and Near Fine (light offsetting to the endsheets) in a crisp, VG+ example of the wonderful pictorial dustjacket, with very light creasing and chipping at the spine crown. 12mo..... More
New York: Sheridan House, 1949. Cloth. NICELY INSCRIBED BY MAE WEST on the front free endpaper. A solid copy to boot of the 1949 reprint. Tight and VG (very light, subtle staining along the rear panel's fore-edge) in a bright, VG dustjacket, with light chipping to the spine ends and..... More
Paris: J. Peyronnet, 1929. Max de Cuvillon. Pictorial wrappers. A handsome copy of this 1929 French study of the career of Douglas Fairbanks. Clean and Near Fine in its pictorial wrappers, with just a touch of wear along the spine ends. Octavo, nicely illustrated thruout. More
Hartford, CT: Cinema 16 and the Film-makers Cooperative, 1963. Pictorial wrappers. SIGNED BY GREGORY MARKOPOULOS on the limitation page (#580 of an unspecified number). A very presentable copy to boot of the 1963 1st edition of issue #3 & 4 of the avant-garde film magazine published out of Hartford, "Filmwise"..... More
New York University Press, 1975. Cloth. A crisp, solid copy of the 1975 1st edition. Tight and Near Fine (just a touch of very light offsetting at the endpapers) in a bright, VG+ dustjacket, with a bit of creasing and chipping along the spine crown and several tiny closed tears..... More
New York: Delacorte Press, 1977. Boards. SIGNED IN A STRONG, FIRM HAND BY STEVEN SPIELBERG on the dustjacket's rear panel. A clean, unsmudged, completely legible example of this surprisingly uncommon signature --and on a copy to boot of his own novelization of one of his early triumphs. A tight, solid..... More
Paris: Centre National de la Photographie and Cinematheque Francaise, 1985. Original wraps. A crisp, clean copy of the 1985 1st edition. Tight and Near Fine in its silver pictorial wrappers. Oblong quarto, impressive full-page black-and-white stills from Fritz Lang's seminal 1927 film as well as accompanying criticism thruout (in French)..... More
