Buffalo, NY: Albright-Knox Art Gallery, 2005. 1st. Original Wraps. SIGNED BY ARTIST PETAH COYNE on the half-title. A pristine copy to boot of the 2005 catalogue based on the exhibition at the Albright-Knox Art Gallery, Buffalo. Tight and Fine in its pictorial wrappers. More
Silkeborg: Galerie Moderne, 1991. 1st. Original Wraps. The catalogue based on the August-October 1991 exhibition at Galerie Moderne, Silkeborg. Bright and Near Fine in its pictorial wrappers. More
Cologne, Germany: Paul Maenz Gallery, 1988. 1st. Original Wraps. A crisp, very sharp copy of the catalogue based on the September-October 1988 exhibition at Cologne's Paul Maenz Gallery. More
Paris: Theoreme Galerie D'Art, 1989. 1st. Original Wraps. The 1989 catalogue based on the permanent exhibition at Theoreme Galerie D'Art, Paris. Bright and Near Fine in its original dark wrappers. More
Paris: Galerie Bernard Vidal, 1990. 1st. Original Wraps. The catalogue based on the March-April 1990 exhibition at Galerie Bernard Vidal, Paris. Clean and Near Fine in its light-blue, stapled wrappers. More
Herbert F. Johnson Museum of Art, Cornell University, 2006. 1st. Original Wraps. A pristine copy of the catalogue based on the 2006 exhibition at Cornell's Herbert F. Johnson Museum of Art. Fine in its bright, pictorial wrappers. Tall quarto, 160 pgs., including lovely color reproductions thruout. More
Walter Wickiser Gallery. 1st. Original Wraps. A very sharp copy of the catalogue issued by New York's Walter Wickiser Gallery. Near Fine in its pictorial wrappers. New York's "Hirschl & Adler Gallery" blindstamp at the title page. More
Cincinnati: The Contemporary Arts Center, 1971. 1st. Original Wraps. The catalogue based on the 1971 exhibition at Cincinnati's Contemporary Arts Center. Bright and Fine in its stapled pictorial wrappers. More
Champaign, Illinois: 1966. 1st. Original Wraps. The catalogue based on the February 1966 exhibition at the Krannert Art Museum, University of Illinois. Solid and VG in its stapled pictorial wrappers. More
Paris: Ileana Sonnabend, 1963. 1st. Original Wraps. The catalogue based on both the February 1963 "premiere" and "seconde" exhibitions at Paris's Ileana Sonnabend Gallery. Solid and VG in its stapled wrappers, with very light soiling to the panels. Also includes a tipped-in copy of the show's original announcement. Blindstamp of..... More
Middletown, CT: Ezra and Cecile Zilkha Gallery --Wesleyan University, 1994. 1st. A pristine copy of the catalogue based on the August-October 1994 exhibition at Wesleyan's Zilkha Gallery. Clean and Fine in its spiralbound, printed cardboard. More
West Palm Beach, FL: Eaton Fine Art, Inc., 2009. 1st. Original Wraps. An immaculate copy of the catalogue based on the 2009 exhibition at Eaton Fine Art, West Palm Beach. FL. Bright and Fine in its pictorial wrappers. Also includes a Near Fine example of the blue cardboard slipcase. More
London: The Hanover Gallery, 1957. Pictorial wrappers. The catalogue based on the May-June 1957 exhibition at London's Hanover Gallery. Solid and VG+ in its stapled pictorial wrappers, with very light spotting and creasing at the panels. Still though, very presentable. More
New York: Schmidt Bingham Gallery, 1991. 1st. Original Wraps. An immaculate copy of the catalogue based on the May-June 1991 exhibition at New York's Schmidt Bingham Gallery. Clean and Fine in its stapled wrappers. More
Studio Marconi, 1990. 1st. Original Wraps. A pristine copy of the catalogue based on the November 1990 exhibition at Studio Marconi in Milan. Bright and Fine in its pictorial wrappers. More
1999. Boards. The catalogue based on the 1999 exhibition at Germany's Museum Kurhaus. Solid and VG+ to Near Fine in its dark boards, with light offsetting --and just a touch of mild scuffing-- along the front panel's edges. Tall quarto, text in German, English and French. More
London: Riverside Studios, 1987. 1st. Original Wraps. The catalogue based on the March-April 1987 exhibition at London's Riverside Studios. Bright and Near Fine in its pictorial wrappers. More
Milan: S.p.A. Virginio Rimoldi & C. 1st. Original Wraps. Beautiful company catalogue, published out of Milan by the S.p.A. Virginio Rimoldi & C. Employing the finest in Italian design of the late 1950s/early 60s, this highly visual catalogue is filled with wonderful color plates of state-of-the-art sewing machines--and their interiors..... More
Schirmer/Mosel and D.A.P., 2004. 1st. Hardcover. The catalogue based on the December 2004-February 2005 exhibition at Paris's Jeu de Paume Gallery. Fine in a bright, Fine dustjacket. Text by Hripsime Visser and Urs Stahel, 160 pgs., 69 color plates. More
New York: Harbor Gallery, 1984. 1st. Original Wraps. The catalogue based on the March-April 1984 exhibition at New York's Harbor Gallery. Bright and Near Fine in its white pictorial wrappers. Essay by Robert R. Preato. More
New York: Leo Castelli, Inc., 1979. Spiral bound wraps. A handsome copy of this 1979 Leo Castelli catalogue, limited to 2,000 copies. Clean and Nerar Fine in its spiral-bound, dark card wrappers. Crisp black-and-white Robert Morris photos of mirrors along each recto, the captions along each facing verso. More
Philadelphia: MarionLocks Gallery, 1989. 1st. Printer Wrapper. The catalogue based on the June 1989 exhibition at Philadelphia's MarionLocks Gallery. Bright and Near Fine in its stapled, yellow wrappers. More
Balboa, Califortnia: Newport Harbor Art Museum, 1970. Pictorial wrappers. A sharp copy of the uncommon catalogue based on the December 1969-January 1970 exhibition at the Newport Harbor Art Museum of Balboa, California. Clean and Near Fine in its beige pictorial wrappers. Square quarto, crisp black-and-white reproductions throughout. More
Chicago: Feigen Gallery, 1990. 1st. Original Wraps. The catalogue based on the October-November 1990 exhibition at Chicago's Feigen Gallery. Clean and Near Fine in its stapled blue wrappers. More
London: Waddington Galleries, 1987. 1st. Original Wraps. A very sharp copy of the November-December 1987 exhibition at London's Waddingtonm Galleries. Crisp and Near Fine in its yellow wrappers. More
