Zurich: Gimpel & Hanover Galerie, 1963. Original wraps. The uncommon March-April 1963 exhibition at Zurich's Gimpel & Hanover Galerie. Crisp and VG+ to Near Fine in its stapled white wrappers, with just a touch of light soiling along the panels. Sharp reproductions throughout, including 2 in color. Max Bill was..... More
New York: Lawrence Markey, 1998. 1st. Original Wraps. A crisp, very clean copy of the catalogue of the 1998 exhibition at New York's Lawrence Markey Gallery. Bright and Near Fine in its dark wrappers. More
London: The Whitechapel Art Gallery, 1989. 1st. Original Wraps. The catalogue based on the November 1989-January 1990 exhibition at London's famed Whitechapel Art Gallery. Fine in its original white wrappers. And in a Fine, printed transluscent dustjacket. More
Brussels: Societe des Expositions du Palais des Beaux-Arts de Bruxelles, 1999. Original wraps. The catalogue based on the July-September 1999 exhibition at Brussels' Societe des Expositions du Palais des Beaux-Arts. Clean and Near (with just a touch of creasing at the lower-tips) in its pictorial wrappers. More
London: Arthur Tooth & Sons, 1964. 1st. Original Wraps. The catalogue based on the June 1964 exhibition at London's Arthur Tooth & Sons Gallery. Clean and Near Fine in its stapled, pictorial wrappers. More
Napoli: Edizione Lucio Amelio, 1989. 1st. Original Wraps. A crisp, clean copy of the catalogue based on the February 1989 exhibition at Lucio Amelio Gallery in Napoli. Bright and Near Fine (with an even fold in half) in its pictorial wrappers. More
London: Waddington Galleries, 1987. 1st. Original Wraps. A very sharp copy of the catalogue based on the April-May 1987 exhibition at London's Waddington Galleries. Clean and Near Fine in its olive-green wrappers. More
Boston: Institute of Contemporary Art, 1986. 1st. Original Wraps. A very sharp copy of the catalogue of the Feb-April 1986 exhibition at Boston's Institute of Contemporary Art. Bright and Near Fine (with small former owner name at half-title) in its white wrappers. And in a crisp, Near Fine beige dustjacket..... More
New York: Pierre Matisse Gallery, 1967. Joan Miro. Pictorial wrappers. The lovely catalogue based on the November 14th, 1967 exhibition at New York's Pierre Matise Gallery. #110 of 1,200 copies issued of the trade edition. A very sharp copy. Clean and Fine in a crisp, Near Fine example of the..... More
Florida: Boco Raton Museum of Art, 1993. 1st. Original Wraps. The catalogue based on the March-April 1993 exhibition at the Boco Raton Museum of Art. Solid and VG+ in its pictorial wrappers. Blindstamp of New York's Hirschl & Adler Gallery at the half-title. More
New York: Fischbach Gallery, 1995. Pictorial wrappers. A very sharp copy of the catalogue based on the April-May 1995 exhibition at New York's Fischbach Gallery. Clean and Near Fine in its stapled pictorial wrappers, with a touch of light creasing at the panels. Vivid color reproductions. More
Germany: DuMont Literatur Und Kunst Verlag, 2007. Hardcover. A pristine copy of the 2007 2nd edition. Clean and Fine in its pictorial boards. Tall quarto, crisp color reproductions thruout. Impressive catalogue of the Kunstmuseum Wolfsburg exhibition. Text in English. More
New York: Sidney Janis Gallery, 1966. Pictorial wrappers. The catalogue based on the May-June 1966 exhibition at New York's Sidney Janis Gallery. Solid and VG+ in its stapled, pictorial wrappers, with light spotting at the panels. More
Munich: Art Forum Thomas, 1987. 1st. Original Wraps. The vcatalogue based on the September-October 1987 exhibition at Munich's Art Forum Thomas. Clean and VG in its stapled pictorial wrappers, with one crease at the lower front panel. More
Tokyo: Niki Museum, 1998. 1st. Original Wraps. Colorful, richly-illustrated 1998 Japanese catalogue, issued by the Niki Museum. Bright and VG+ in its original wrappers. Also includes a VG+ example of the publisher's mylar dustjacket and wraparound band (obi). Quarto, 145 pgs., text in Japanese. More
London: Litchfield & Co. Ltd. Original wraps. Uncommon interior design catalogue, circa 1900, featuring many of the essential fixtures in homes of the 17th and 18th centuries. Clean and VG+ to Near Fine in its light-green card wrappers, with a touch of light spotting to the rear panel. Quarto, crisp..... More
Germany: Ulmer Museum, 1984. 1st. Original Wraps. The catalogue based on the July-September 1984 exhibition at the Ulmer Museum. Clean and Near Fine in its pictorial wrappers. More
Chicago: Signature Galleries, 1975. 1st. Original Wraps. A clean copy of this uncommon catalogue based on the 1975 exhibition at Chicago's Signature Galleries. VG in its stapled, pictorial wrappers, with one small closed tear along the spine crown. Only 200 copies issued. More
Paris: Centre Georges Pompidou, 1977. Boards. The massive catalogue based on the June-September 1977 exhibition at Paris's Centre Pompidou. Clean and Near Fine in its pictorial laminate boards, with just a touch of very light creasing to the spine crown and very mild foxing at the fore-edge. Thick quarto, hundreds..... More
Munich: Galerie Thomas Maximilianstrasse, 1989. 1st. Original Wraps. A pristine copy of the 1989 exhibition at Munich's Galerie Thomas Maximilianstrasse. Clean and Near Fine in its pictorial wrappers. More
Zurich: Galerie Charles Lienhard, 1961. Pictorial wrappers. The uncommon catalogue based on the October 1961 exhibition at Zurich's Galerie Charles Lienhard. Crisp and Near Fine in its stapled pictorial wrappers, with just a touch of light spotting along the front panel. Tall quarto, crisp black-and-white reproductions throughout. Alicia Penalba, Argentine..... More
Buffalo, NY: Albright-Knox Art Gallery, 2005. 1st. Original Wraps. SIGNED BY ARTIST PETAH COYNE on the half-title. A pristine copy to boot of the 2005 catalogue based on the exhibition at the Albright-Knox Art Gallery, Buffalo. Tight and Fine in its pictorial wrappers. More
