Paris: Ileana Sonnabend, 1963. 1st. Original Wraps. The catalogue based on both the February 1963 "premiere" and "seconde" exhibitions at Paris's Ileana Sonnabend Gallery. Solid and VG in its stapled wrappers, with very light soiling to the panels. Also includes a tipped-in copy of the show's original announcement. Blindstamp of..... More
Middletown, CT: Ezra and Cecile Zilkha Gallery --Wesleyan University, 1994. 1st. A pristine copy of the catalogue based on the August-October 1994 exhibition at Wesleyan's Zilkha Gallery. Clean and Fine in its spiralbound, printed cardboard. More
West Palm Beach, FL: Eaton Fine Art, Inc., 2009. 1st. Original Wraps. An immaculate copy of the catalogue based on the 2009 exhibition at Eaton Fine Art, West Palm Beach. FL. Bright and Fine in its pictorial wrappers. Also includes a Near Fine example of the blue cardboard slipcase. More
New York: Schmidt Bingham Gallery, 1991. 1st. Original Wraps. An immaculate copy of the catalogue based on the May-June 1991 exhibition at New York's Schmidt Bingham Gallery. Clean and Fine in its stapled wrappers. More
St. Louis: The Longmire Fund, 1968. 1st. Original Wraps. The catalogue based on the 1968 exhibition at The Longmire Fund of St. Louis. Clean and Near Fine in its original wrappers. And in a bright, Near Fine dustjacket. More
Studio Marconi, 1990. 1st. Original Wraps. A pristine copy of the catalogue based on the November 1990 exhibition at Studio Marconi in Milan. Bright and Fine in its pictorial wrappers. More
London: Riverside Studios, 1987. 1st. Original Wraps. The catalogue based on the March-April 1987 exhibition at London's Riverside Studios. Bright and Near Fine in its pictorial wrappers. More
Milan: S.p.A. Virginio Rimoldi & C. 1st. Original Wraps. Beautiful company catalogue, published out of Milan by the S.p.A. Virginio Rimoldi & C. Employing the finest in Italian design of the late 1950s/early 60s, this highly visual catalogue is filled with wonderful color plates of state-of-the-art sewing machines--and their interiors..... More
Schirmer/Mosel and D.A.P., 2004. 1st. Hardcover. The catalogue based on the December 2004-February 2005 exhibition at Paris's Jeu de Paume Gallery. Fine in a bright, Fine dustjacket. Text by Hripsime Visser and Urs Stahel, 160 pgs., 69 color plates. More
New York: Harbor Gallery, 1984. 1st. Original Wraps. The catalogue based on the March-April 1984 exhibition at New York's Harbor Gallery. Bright and Near Fine in its white pictorial wrappers. Essay by Robert R. Preato. More
New York: Leo Castelli, Inc., 1979. Spiral bound wraps. A handsome copy of this 1979 Leo Castelli catalogue, limited to 2,000 copies. Clean and Nerar Fine in its spiral-bound, dark card wrappers. Crisp black-and-white Robert Morris photos of mirrors along each recto, the captions along each facing verso. More
Philadelphia: MarionLocks Gallery, 1989. 1st. Printer Wrapper. The catalogue based on the June 1989 exhibition at Philadelphia's MarionLocks Gallery. Bright and Near Fine in its stapled, yellow wrappers. More
Chicago: Feigen Gallery, 1990. 1st. Original Wraps. The catalogue based on the October-November 1990 exhibition at Chicago's Feigen Gallery. Clean and Near Fine in its stapled blue wrappers. More
London: Waddington Galleries, 1987. 1st. Original Wraps. A very sharp copy of the November-December 1987 exhibition at London's Waddingtonm Galleries. Crisp and Near Fine in its yellow wrappers. More
The Art Institute of Chicago, 1987. 1st. Original Wraps. The prospectus based on the May-July 1987 exhibition. Bright and Near Fine in its single folded cardboards sheet. More
New York: Sonnabend Press, 2002. Cloth. An important Association copy: INSCRIBED BY RONA PONDICK TO RENOWNED ART FABRICATOR DICK POLICH on the half-title. A pristine copy to boot of the 2002 1st edition of the catalogue based on the exhibition at Galerie Thaddaeus Ropac, Paris. More
Los Angeles: Blum Helman, 1898. 1st. Original Wraps. A pristine copy of the September-October 1989 exhibition at LA's Blum Helman Gallery. Bright and Fine in its gray wrappers. More
Madrid: Galeria Soledad Lorenzo, 1992. 1st. Original Wraps. A clean, crisp copy of this catalogue of the September 16-October 17, 1992 exhibition at Madrid's Galeria Soledad Lorenzo. Bright and Near Fine in its light-blue wrappers. More
Korea: The National Museum of Contemporary Art. 1st. Original Wraps. The catalogue of the June-July 1989 exhibition at Korea's National Museum of Contemporary Art. Solid and VG+ in its pictorial wrappers. Text in both English and Korean. More
Nagoya, Japan: Yoshimitsu Hijikata Gallery. 1st. Original Wraps. A pristine copy of the catalogue based on the March-April 1990 exhibition at the Yoshimitsu Hijikata Gallery in Nagoya, Japan. Bright and Fine in its thick green wrappers. More
Cincinnati and Fort Worth, Texas: The Contermporary Arts Center/The Fort Worth Art Museum, 1983. 1st. Original Wraps. The catalogue based on the 1983 exhibition at both the Contemporary Arts Center of Cincinnati and the Fort Worth Art Museum. Bright and Near Fine in its pictorial wrappers. More
Birmingham, England: Ikon Gallery, 1981. 1st. Original Wraps. The catalogue based on the September 1981 exhibition at Birmingham's Ikon Gallery. Bright and VG+ in its stapled pictorial wrappers. Blindstamp of New York's Hirschl & Adler Gallery at the title page. More
Carlisle, PA: The Trout Gallery (Dickinson College), 2001. 1st. Original Wraps. The catalogue based on the January-March 2001 exhibition at the Trout Gallery at Dickinson College. Bright and VG+ in its stapled, pictorial wrappers, with light scuffing to the title page. More
Minneapolis: Walker Art Center, 1995. 1st. Original Wraps. The catalogue based on the May-Sept 1995 exhibition at Minneapolis's Walker Art Center.Clean and Near Fine in its pictorial white wrappers. More
New York: American Water Color Society, 1883. Decorative Cloth. A crisp, very sharp copy of the 1883 illustrated catalogue of the 16th annual exhibition of the American Water Color Society. Bright and Near Fine in its bevelled, maroon boards. Clean, unflecked gilt-lettering, decorative blindstamping to the panels. Quarto, engravings thruout..... More
