Bayside, NY: Brandstudio Press, 2007. Hardcover. A pristine copy of the 2007 stated 1st edition. Clean and Fine in its pictorial laminate boards. Tall quarto, vivid, high-quality color reproductions thruout. More
Beverly Hills, CA: Louis Newman Galleries, 1974. 1st. Original Wraps. The catalogue based on the June 1974 exhibition at Louis Newman Galleries, Beverly Hills. Clean and Near Fine in its stapled pictorial wrappers. More
Amherst, MA: University Gallery, University of Massachusetts, 1992. Cloth. WARMLY INSCRIBED BY ELLEN PHELAN on the title page. A pristine copy to boot of the catalogue based on the November-December 1992 exhibition at UMASS Amherst's University Gallery. Tight and Fine in its beige cloth. More
Osaka, Japan: Gallery Kasahara, 1990. 1st. Original Wraps. A pristine copy of the 1990 catalogue based on the April-May 1990 exhibition at Gallery Kasahara, Osaka. Bright and Fine in its stapled, decorative wrappers. More
Frankfurt: Galerie Neuendorf, 1989. 1st. Original Wraps. The catalogue based on the April-May 1989 exhibition at Frankfurt's Galerie Neuendorf. Bright and Near Fine in its pictorial wrappers. More
Geneva: Galerie Cour Saint-Pierre, 1973. 1st. Original Wraps. A clean, very sharp copy of the catalogue of the March-April 1973 exhibition at Geneva's Galerie Cour Saint-Pierre. Bright and Near Fine in its silver wrappers. More
Croton-on-Hudson, NY: Fitch-Febvrel Gallery, 2011. Cloth. An all-but-pristine copy of the 2011 catalogue of all the prints of Erik Desmazieres (2001-2011). Clean and Fine in a crisp, Fine dustjacket. THIS COPY ONE OF THE SPECIAL SIGNED/LIMITED COPIES. #60 OF 150 SIGNED BY ERIK DESMAZIERES on the limitation page AND ALSO..... More
London: Hanover Gallery, 1966. Decorative Wrappers. The uncommon catalogue based on the March-April 1966 exhibition at London's Hanover Gallery. A crisp, bright copy. Clean and Near Fine in its stapled silver and black wrappers. Sharp black-and-white reproductions throughout. More
Cordoba: Museo Provincial de Bellas Artes "Emilio A. Caraffa" 1999. 1st. Original Wraps. The catalogue based on the May 1999 exhibition at Cordoba's Museo Provincial de Bellas Artes "Emilio Caraffa". Bright and Near Fine in its stapled pictorial wrappers. More
2004. 1st. Original Wraps. A clean, crisp copy of the 2004 catalogue. Bright and Near Fine in its pictorial wrappers. Octavo, 59 pgs. More
1981. Original wraps. The uncommon catalogue of the 1981 exhibition at New York's Theodore B. Donson Gallery. Clean and Near Fine in its pictorial wrappers. Octavo, also includes the original price-list, which is laid-in. More
Italy: Palazzo Dei Diamanti (Centro Attivita ' Visive), 1972. 1st. Hardcover. The catalogue based on the September 9-30, 1972 exhibition. Solid and Near Fine in its gray boards, with the front pocket included the extra inserted text complete. More
Madrid: Jorge Albero Arte Contemporaneo, 1990. 1st. Original Wraps. A pristine copy of the catalogue based on the February 1990 exhibition at Madrid's Jorge Albero Arte Contemporaneo. Bright and Fine in its dark-gray wrappers. More
Bogota, Colombia: Galeria Quintana, 1982. 1st. Original Wraps. The 1982 catalogue of the exhibition at Galeria Quintana, Bogota. Clean and Near Fine in its stapled, pictorial wrappers, with very light creasing at the rear panel. New York's Hirschl & Adler Gallery blindstamp to the title page. More
Jerusalem: The Bineth Gallery of Fine Arts, 1966. Pictorial wrappers. Uncommon catalogue based on the 1966 exhibition at Jerusalem's Bineth Gallery of Fine Arts. Crisp and VG in its stapled pictorial wrappers, with light spotting along the edges. Fima (Ephraim Roeytenberg), Israeli sculptor (1914-2005). More
Boston: Mario Diacono. 1st. Original Wraps. A crisp, clean copy of the catalogue based on the April-May 1988 exhibition at Boston's Mario Diacono Gallery. Bright and Near Fine in its off-white wrappers. More
Civici Musei di Reggio Emilia, 1988. 1st. Original Wraps. A pristine copy of the catalogue based on the December 1988-January 1989 exhibition at Civici Musei di Reggio Emilia. Bright and Fine in its pictorial wrappers. More
London: Marlborough, 1960. Original wraps. The catalogue based on the March-April 1960 exhibition at London's Marlborough Gallery. Clean and Near Fine in its printed wrappers, with light bumping at the foot of the spine. More
Hanover, NH: Hood Museum of Art/Dartmouth College, 2006. Original wraps. INSCRIBED (TO NO ONE IN PARTICULAR) BY THE ARTIST FRED WILSON on the half-title. An all-but-pristine copy to boot of the catalogue based on the October-December 2005 exhibition at Dartmouth's Hood Museum of Art. Tall quarto, first-rate reproductions throughout. More
Turin, Italy: Galeria in Arco, 1993. 1st. Original Wraps. A pristine copy of the catalogue of the April-May 1993 exhibition at Turin's Galeria in Arco. Bright and Fine in its original wrappers. More
Lincoln, MA: deCordova Sculpture Park and Museum, 2012. 1st. Original Wraps. A pristine copy of this 2012 catalogue, issued by the deCordova in Lincoln, MA. Bright and Fine in its thick purple wrappers. Octavo, 51 pgs., high-quality color photographs thruout. More
Frankfurt: Stadtische Galerie/Stadelschen Kunstinstitut, 1988. Original wraps. The catalogue based on the May-August 1988 exhibition at Frankfurt's Stadtische Galerie. Tight and Near Fine in its pictorial yellow wrappers, with just a touch of soiling at the front panel. Tall quarto, high-quality reproductions thruout of the sketches and the sculptures. More
Provence: Fonds Regional d'Art Contemporain, 1989. 1st. Original Wraps. The catalogue based on the 1989 exhibition at Fonds Regional d'Art Contemporain, Provence. Solid and VG+ in its white wrappers, with light soiling to the rear panel. More
Paris: Enghien Hotel Des Ventes, 1981. 1st. Original Wraps. The catalogue based on the June 1981 exhibition at Paris's Enghien Hotel Des Ventes. Clean and Near Fine in its stapled pictorial wrappers. More
Brussels: Le Botanique, 1999. Original wraps. The catalogue based on the January-December 1999 exhibition at the Musee du Botanique, Brussels. A clean, Near Fine folio in its stapled, pictorial wrappers, with very light creasing to the panel edges. Wonderful photos thruout of key figures at Warhol's Factory. More
