London: Runkel-Hue-Williams Ltd., 1989. 1st. Original Wraps. A sharp copy of the catalogue based on the Sept-Oct 1989 exhibition at London's Runkel-Hue-Williams Gallery. Crisp and Near Fine in its white wrappers, with just a touch of soiling to the rear panel. More
Hamburg: Museum Fur Kunst und Gewerbe, 1989. 1st. Original Wraps. The catalogue based on the March-June 1989 exhibition at Hamburg's Museum fur Kunst und Gewerbe. Clean and Near Fine in its original wrappers. And in a bright, VG pictorial dustjacket, with very light soiling to the panels. Tall quarto, crisp..... More
Paris: Galerie Bellier, 1989. 1st. Original Wraps. The 1989 catalogue of the exhibition at the Galerie Bellier, Paris. Solid and VG+ in its pictorial wrappers, with very light soiling to the rear panel. More
Lake Worth, FL: Lannan Museum, 1988. 1st. Original Wraps. A crisp, very sharp copy of the 1988 catalogue based on the exhibition at the Lannan Museum, Lake Worth, FL. Fine in a bright,Near Fine dustjacket.1st edition limited to 4,000 copies. More
Tokyo Museum of Contermporary Art, 1988. Pictorial wrappers. A handsome copy of the catalogue based on the January-March 1989 exhibition at Tokyo's Museum of Contemporary Art. Solid and Near Fine in its white pictorial wrappers, with just a touch of very light soiling to the panels. More
Bayside, NY: Brandstudio Press, 2007. Hardcover. A pristine copy of the 2007 stated 1st edition. Clean and Fine in its pictorial laminate boards. Tall quarto, vivid, high-quality color reproductions thruout. More
Beverly Hills, CA: Louis Newman Galleries, 1974. 1st. Original Wraps. The catalogue based on the June 1974 exhibition at Louis Newman Galleries, Beverly Hills. Clean and Near Fine in its stapled pictorial wrappers. More
Amherst, MA: University Gallery, University of Massachusetts, 1992. Cloth. WARMLY INSCRIBED BY ELLEN PHELAN on the title page. A pristine copy to boot of the catalogue based on the November-December 1992 exhibition at UMASS Amherst's University Gallery. Tight and Fine in its beige cloth. More
Osaka, Japan: Gallery Kasahara, 1990. 1st. Original Wraps. A pristine copy of the 1990 catalogue based on the April-May 1990 exhibition at Gallery Kasahara, Osaka. Bright and Fine in its stapled, decorative wrappers. More
Frankfurt: Galerie Neuendorf, 1989. 1st. Original Wraps. The catalogue based on the April-May 1989 exhibition at Frankfurt's Galerie Neuendorf. Bright and Near Fine in its pictorial wrappers. More
Geneva: Galerie Cour Saint-Pierre, 1973. 1st. Original Wraps. A clean, very sharp copy of the catalogue of the March-April 1973 exhibition at Geneva's Galerie Cour Saint-Pierre. Bright and Near Fine in its silver wrappers. More
London: Hanover Gallery, 1966. Decorative Wrappers. The uncommon catalogue based on the March-April 1966 exhibition at London's Hanover Gallery. A crisp, bright copy. Clean and Near Fine in its stapled silver and black wrappers. Sharp black-and-white reproductions throughout. More
Cordoba: Museo Provincial de Bellas Artes "Emilio A. Caraffa" 1999. 1st. Original Wraps. The catalogue based on the May 1999 exhibition at Cordoba's Museo Provincial de Bellas Artes "Emilio Caraffa". Bright and Near Fine in its stapled pictorial wrappers. More
2004. 1st. Original Wraps. A clean, crisp copy of the 2004 catalogue. Bright and Near Fine in its pictorial wrappers. Octavo, 59 pgs. More
New York: The Jewish Museum, 1960. Pictorial wrappers. The uncommon catalogue based on the January-March exhibition at New York's Jewish Museum. Solid and VG+ in its off-white wrappers, with mounted plate to the front panel. Small paperclip staining at the top-edges, otherwise very clean. More
1981. Original wraps. The uncommon catalogue of the 1981 exhibition at New York's Theodore B. Donson Gallery. Clean and Near Fine in its pictorial wrappers. Octavo, also includes the original price-list, which is laid-in. More
Italy: Palazzo Dei Diamanti (Centro Attivita ' Visive), 1972. 1st. Hardcover. The catalogue based on the September 9-30, 1972 exhibition. Solid and Near Fine in its gray boards, with the front pocket included the extra inserted text complete. More
Madrid: Jorge Albero Arte Contemporaneo, 1990. 1st. Original Wraps. A pristine copy of the catalogue based on the February 1990 exhibition at Madrid's Jorge Albero Arte Contemporaneo. Bright and Fine in its dark-gray wrappers. More
Bogota, Colombia: Galeria Quintana, 1982. 1st. Original Wraps. The 1982 catalogue of the exhibition at Galeria Quintana, Bogota. Clean and Near Fine in its stapled, pictorial wrappers, with very light creasing at the rear panel. New York's Hirschl & Adler Gallery blindstamp to the title page. More
Jerusalem: The Bineth Gallery of Fine Arts, 1966. Pictorial wrappers. Uncommon catalogue based on the 1966 exhibition at Jerusalem's Bineth Gallery of Fine Arts. Crisp and VG in its stapled pictorial wrappers, with light spotting along the edges. Fima (Ephraim Roeytenberg), Israeli sculptor (1914-2005). More
Boston: Mario Diacono. 1st. Original Wraps. A crisp, clean copy of the catalogue based on the April-May 1988 exhibition at Boston's Mario Diacono Gallery. Bright and Near Fine in its off-white wrappers. More
Civici Musei di Reggio Emilia, 1988. 1st. Original Wraps. A pristine copy of the catalogue based on the December 1988-January 1989 exhibition at Civici Musei di Reggio Emilia. Bright and Fine in its pictorial wrappers. More
London: Marlborough, 1960. Original wraps. The catalogue based on the March-April 1960 exhibition at London's Marlborough Gallery. Clean and Near Fine in its printed wrappers, with light bumping at the foot of the spine. More
New York: Sidney Janis Gallery, 1963. Original wraps. The uncommon catalogue based on the December 1963 exhibition at New York's Sidney Janis Gallery. Solid and VG in its stapled, pictorial wrappers, with light soiling along the panel edges and very light wear to the spine. k. More
Hanover, NH: Hood Museum of Art/Dartmouth College, 2006. Original wraps. INSCRIBED (TO NO ONE IN PARTICULAR) BY THE ARTIST FRED WILSON on the half-title. An all-but-pristine copy to boot of the catalogue based on the October-December 2005 exhibition at Dartmouth's Hood Museum of Art. Tall quarto, first-rate reproductions throughout. More
