New York: Galerie Chalette, 1958. Original wraps. The catalogue based on the March-April 1958 exhibition at New York's Galerie Chalette. A crisp, attractive, VG+ to Near Fine copy in its dark-green wrappers, with very light spotting along the endpapers and pastedowns. More
New York: Whitney Museum of American Art, 1938. 1st. Original Wraps. The catalogue based on the December 1937-January 1938 exhibition at the Whitney Museum. Solid and VG in its stapled, pictorial wrappers, with very light offsetting at the rear panel's top-edge. More
Fine Arts Gallery, California State University at Northridge, 1974. 1st. Original Wraps. Very sharp copy of the catalogue based on the Nov-Dec 1974 exhibition at Cal State Northridge. Bright and Near Fine in its pictorial wrappers. New York's Hirschl & Adler Gallery blindstamp at the title page. More
New York: The Pace Gallery, 1987. 1st. Original Wraps. Pace Wildenstein announcement od the June-July 1987 Chuck Close exhibition. Prsitine in its folded pictorial card wrappers. More
New York: Marlborough Gallery, 1984. Pictorial wrappers. The catalogue based on the October-November 1984 exhibition at New York's Marlborough Gallery. Solid and VG+ in its stapled wrappers, with light spotting along the fore and top-edges. Quarto, superb black-and-white and color reproductions throughout. More
Stuttgart: Edition Patricia Schwarz/Galerie Kubinski, 1987. 1st. Original Wraps. The catalogue based on the 1987 exhibition at Galerie Kubinski in Stuttgart. Clean and Near Fine in its white wrappers. Blindstamp of New York's Hirschl & Adler Gallery at the front free endpaper. More
Westfield, MA: The Westfield Manufacturing Company. Stapled wrappers. Wonderful Columbia bicycle catalogue, cirac late 1940s. Crisp, clean and Near Fine in its stapled, pictorial wrappers. Dozens and dozens of illustrations throughout of the most recent models and parts, most of the images in vivid color. "Since 1877 -- America's First..... More
Westfield, MA: The Westfield Manufacturing Company. Stapled wrappers. Wonderful Columbia bicycle catalogue, cirac late 1940s. Crisp, clean and Near Fine in its stapled, pictorial wrappers. Dozens and dozens of illustrations throughout of the most recent models and parts, most of the images in vivid color. "Since 1877 -- America's First..... More
New York: Bradstreet Press, 1867. Cloth. Uncommon 1867 catalogue by Cowling & Co. of Seneca Falls, NY showcasing pumps, fire engines and hydraulic rams, and including well over 100 engraved plates. A number of the pages show light wear and offsetting, tipped-in engraved portraits at the pastedowns of opera singers..... More
Roslyn Harbor, NY: Nassau County Museum of Art, 1990. 1st. Original Wraps. The catalogue based on the December 1990-April 1991 exhibition at Long Island's Nassau County Museum of Art. Crisp and Near Fine in its pictorial wrappers. More
New York: Ex Libris. 1st. Original Wraps. "Herbert Bayer/Piet Zwart: Masters of Design" and "Group Portrait: The First American Avant-Garde" catalogues (both in their stapled wrappers) inside the "Dada Ex Libris" shipping envelope. Both quarto catalogues crisp and Near Fine and the "Dada" envelope is clean, well-preserved and VG+. More
New York: Aberbach Fine Art, 1982. Cloth. The catalogue based on the October-December 1982 exhibition at New York's Aberbach Fine Art. Clean and Near Fine to Fine in a crisp, Near Fine dustjacket. High-quality color reproductions throughout. More
Glasgow: Third Eye Centre Ltd., 1988. Pictorial wrappers. SIGNED BY THE ARTIST DAVID FINN TO HIS FATHER on the biography page. A sharp copy to boot of the catalogue based on the 1988 exhibition at Glasgow's Third Eye Center. Clean and Near Fine in its stapled wrappers. More
London: Annely Juda Fine Art, 1997. Original wraps. A pristine example of the 2 volume catalogue, based on the May-July 1997 exhibition at London's Annely Juda Fine Art Gallery AND INSCRIBED BY DAVID HOCKNEY on the title page of "Flowers and Spaces" (the 1st of 2 volumes, the 2nd volume..... More
Boston: Mario Diacono, 1986. 1st. Original Wraps. The prospectus for the May 1986 exhibition at Boston's Mario Diacono Gallery. Bright and Near Fine in its single folded sheet. More
Houston: Janie C. Lee Gallery, 1982. 1st. Original Wraps. The catalogue based on the 1982 exhibition at the Janie C. Lee Gallery in Houston. Bright and Near Fine in its stapled white wrappers. Blindstamp of New York's Hirschl & Adler Gallery at the title page. More
Mountainville, NY: Storm King Art Center, 1982. Original wraps. A tight copy of the catalogue based on the May-October 1982 exhibition at Storm King Art Center. Oblong octavo, stapled pictorial wrappers. Except for light foxing along the fore-edges, clean and Near Fine. More
Barcelona: Lino Silvertsein Gallery. 1st. Hardcover. An immaculate copy of the catalogue based on the exhibition at Barcelona's Lino Silverstein Gallery. Bright and Fine in its duotone cloth. More
Redfern Gallery. 1st. Original Wraps. A crisp, bright copy of the catalogue based on the June-July 1989 exhibition at London's Redfern Gallery. Fine in its stapled pictorial wrappers. More
New York: Phillips de Pury & Company, 2008. Pictorial wrappers. The infamous catalogue of the April 8th, 2008 auction at Phillips which, in the 11th hour, was cancelled over disputes over ownership of the material. Clean and Near Fine in its dark, pictorial wrappers. Tall quarto, features 28 separate lots..... More
New York: David Nolan Gallery, 1989. 1st. Original Wraps. The catalogue based on the October-November 1989 exhibition at New York's David Nolan Gallery. Clean and Near Fine in its printed wrappers. More
Paris: Galerie Roger d'Amecourt, 1977. 1st. Original Wraps. The catalogue based on the 1977 touring exhibition in the USA. Bright and VG+ in its stapled pictorial wrappers. Blindstamp of New York's Hirschl & Adler Gallery at the first page of text. More
Munich/Cologne: Galerie Heiner Friedrich, 1973. 1st. Original Wraps. Early, uncommon Donald Judd catalogue, based on the 1972-73 exhibition at Galerie Heiner Friedrich, Munich/Cologne. Clean and bright in its white wrappers. Octavo, crisp black-and-white photos thruout. Limited to 1,000 copies. More
Charlotte, NC: Knight Gallery/Spirit Square Arts Center, 1983. Original wraps. A very sharp copy of the catalogue based on the November 1983-January 1984 exhibition at the Knight Gallery in Charlotte, NC. Bright and Near Fine in its stapled red wrappers. Catalogue essay by Brian Wallis, statement by Donald Judd. New..... More
New York: The Pace Gallery, 1991. 1st. Original Wraps. The catalogue based on the September-October 1991 exhibition at New York's Pace Gallery. Clean and Near Fine in its chocolate-brown wrappers. More
