LaGrange, Georgia: Lamar Dodd Art Center of LaGrange College, 2015. Decorative Boards. WARMLY INSCRIBED BY THE ARTIST TAD MIKE on the half-title. A very sharp copy to boot of this joint catalogue based on the September-December 2015 exhibitions at the Lamar Dodd Art Center at Georgia's LaGrange College. Tight and..... More
San Francisco: John Berggruen Gallery. 1st. Original Wraps. INSCRIBED BY THE ARTIST THEOPHILUS BROWN on the title page. A sharp copy to boot of this 1983 catalogue. Clean and Near Fine in its light-gray, stapled wrappers. Foreword by Wayne Thiebaud. More
London: Karsten Schubert Ltd., 1990. 1st. Original Wraps. A crisp copy of the catalogue based on the May-June 1990 exhibition at London's Karsten Schubert Gallery.Tight and Near Fine in its brown wrappers, with very light creasing along the spine crown. More
Belmont-Sur-Lausanne, Switzerland: Musee D'Art Contemporain (Deutsch Foundation), 1992. Original wraps. The catalogue based on the April-May 1992 exhibition at Musee D'Art Contemporain in Belmont-Sur-Lausanne, Switzerland. Clean and Near Fine in its stapled gray wrappers. INSCRIBED BY THE ARTIST ("T.M. CASTEL") TO RENOWNED PHOTOGRAPHER DAVID FINN on the front pastedown. More
Los Angeles: Felix Landau Gallery, 1966. Original wraps. The catalogue based on the April-May 1966 exhibition at LA's Felix Landau Gallery. Tight and VG+ in its white stapled wrappers, with very light soiling to the panels. Square 16mo. More
New York: Topping Brothers (Ship Chandlery Department), 1909. 1st. Cloth. Topping Brothers Catalogue #7, 1909. "Ship Chandlery, Marine Hardware, Yacht, Launch & Motor Boat Fittings". VG- in its green cloth, with light staining at the panels and light foxing to the endsheets. Internally, very clean, with all the engravings in..... More
Geneva: Musee de L'Athenee, 1976. Pictorial wrappers. The catalogue based on the July-October 1976 exhibition at Geneva's Musee de L'Athenee. Solid and VG+ in its pictorial wrappers, with a bit of light soiling to the panels. More
St, Etienne, France: Musee d'Art Moderne de Saint-Etienne, 1992. 1st. Original Wraps. The catalogue based on the 1992-93 exhibition at Musee d'Art Moderne, Siant-Etienne, France. Clean and Near Fine in its white wrappers. And in a bright, Near Fine printed dustjacket. More
Florence: Galeria Vivita, 1991. 1st. Original Wraps. The catalogue based on the April-May 1991 exhibition at Florence's Galeria Vivita. Tight and VG (with wear and abrading along the rear panel's lower-edge) in its pictorial wrappers. More
Berlin: Galerie Michael Haas, 1987. 1st. Original Wraps. The catalogue based on the January-March 1987 exhibition at Berlin's Galerie Michael Haas. Bright and Near Fine in its white pictorial wrappers. More
Timezone 8, 2007. 1st. Original Wraps. A crisp, very sharp copy of the 2007 1st edition. Bright and Fine in its pictorial wrappers. Oblong quarto, haunting photography (calligraphy) thruout. More
Chicago: Platt Fine Art, 2005. 1st. Original Wraps. A pristine copy of the catalogue based on the January 2005 exhibition at Chicago's Platt Fine Art. Bright and Fine in its stapled, pictorial wrappers. More
Waltham, MA: Rose Art Museum, Brandeis University, 1984. 1st. Original Wraps. The catalogue based on the May-June exhibition at The Rose Art Museum, Brandeis University. Tight and VG in its beige wrappers, with very light scuffing to the front panel. More
New York: Michael Rosenfeld Gallery, 1995. 1st. Original Wraps. A very sharp copy of the catalogue of the Sept-Nov 1995 exhibition at New York's Michael Rosenfeld Gallery. Bright and Near Fine in its pictorial wrappers. More
Smithsonian Institution Press. 1st. Original Wraps. A sharp copy of the catalogue based on the Nov 1978-June 1979 exhibition at the National Collection of Fine Arts, Smithsonian Institution. Clean and Near Fine in its white pictorial wrappers, with one very small crease at the lower tip. More
London: Gimpel Fils Gallery, 1970. Original wraps. A sharp copy of the catalogue based on the June-July 1970 exhibition at London's Gimpel Fils Gallery. Clean and Near Fine, with its wonderful metallic endsheets. More
Scottsdale, AZ: Mitchell Brown Fine Art, Inc., 2005. 1st. Original Wraps. The catalogue based on the Feb 2005 exhibition at Mitchell Brown Fine Art, Scottsdale, AZ. Bright and Fine in its pictorial wrappers. More
New York and New Haven, CT: The Whitney Museum and Yale University Press, 2018. Pictorial cloth. A pristine example of the catalogue based on the November 2018-March 2019 exhibition at New York's Whitney Museum. Clean and Fine in a crisp, Fine example of the gold dustjacket, with a small, mounted..... More
Brasilia/Rio de Janeiro: Centro Cultural Banco do Brasil, 2002. Cloth. A bright, As New copy of this 2002 catalogue based on the exhibition "What's Fluxus? What's not! Why". Tight and Fine in a crisp, Fine dustjacket. Tall quarto, hundreds of crisp black-and-white and color illustrations thruout. Text --in both English..... More
New York: Barbara Flynn & Richard Bellamy, 1991. 1st. Original Wraps. The catalogue based on the October 1991-January 1992 exhibition at New York's Flynn Gallery. A clean, Near Fine quarto in its pictorial wrappers. More
New York: Neue Gallery, 2013. Cloth. An all-but-pristine copy of this lavish catalogue, based on the May-September 2013 exhibition at New York's Neue Gallery. Tight and Fine in a crisp, Near Fine dustjacket, with just a touch of very light scuffing at the rear panel. Thick quarto, crisp black-and-white and..... More
New York: The Jewish Museum, 1964. Pictorial wrappers. The catalogue based on the February-April 1964 exhibition at New York's The Jewish Museum. Tight and Near Fine in its pictorial wrappers, with just a touch of light foxing along the rear panel's spine edge. Designed by Elaine Lustig, photograph of Jasper..... More
New York: Mary Boone Gallery, 2006. Hardcover. The catalogue based on the April-June 2006 exhibition running concurrently at New York's Mary Boone Gallery, Perry Rubenstein Gallery and Michael Werner Gallery. Tight and Near Fine to Fine in its dark velvet covers. Quarto, superb color reproductions thruout. More
Milan: Mazzotta, 1990. Pictorial wrappers. The catalogue based on the July-August 1990 exhibition at the Museo di Milano. Crisp and Near Fine in its pictorial wrappers, with just a touch of curling along the spine. Vivid, high-quality black-and-white reproductions throughout. Curated by Vittorio Sgarbi. More
New York: Harry N. Abrams, 1984. 1st. Cloth. A very nice copy of the 1984 1st edition. Clean and Near Fine in a bright, Near Fine dustjacket. Tall quarto, 152 illustrations, including 50 plates in full color. More
