Los Angeles: Fisher Gallery, University of Southern California, 1983. Cloth. The very uncommon hardback edition of the catalogue based on the January-February 1983 exhibition at USC's Fisher Gallery. Clean and Near Fine its light-blue cloth. And in a crisp, price-intact, VG+ example of the printed off-white dustjacket, with very light..... More
Marblehead, Mass. Marblehead Historical Society, 2003. 1st. Original Wraps. The catalogue of this charming 1983 exhibition of the paintings of Marblehead folk artist J.O.J. Frost (1852-1928). Crisp and Near Fine in its stapled pictorial wrappers. More
New York: The Neue Gallery, 2009. Cloth. An all-but-immaculate copy of the catalogue based on the February-June 2009 exhibition at New York's Neue Gallery. Tight and Fine in a crisp, Near Fine dustjacket. Quarto, lovely color reproductions thruout. More
Indianapolis Museum of Art (in cooperatrion with Indiana University Press), 1990. Cloth. An important Association copy: INSCRIBED BY THE ARTIST RICHARD POUSETTE-DART TO RENOWNED ART FABRICATOR DICK POLICH on the title page. A very sharp copy to boot of the 1990 1st edition. Clean and Near Fine in a crisp..... More
New York: The Museum of Modern Art, 2002. 1st. Cloth. A very attractive copy of the hardback catalogue based on the Feb-May 2002 exhibition at MoMA, New York. Fine in a crisp, Near Fine dustjacket. Tall quarto, 340 pgs., sumptuous reproductions thruout. More
Rome: Galleria Giulia, 1982. Original wraps. The 1982 1st edition of this monograph on Italian artist Pedro Cano, INSCRIBED BY CANO on the front free endpaper. Clean and Near Fine in its pictorial wrappers. Square octavo, crisp black-and-white reproductions thruout. Text in Italian. More
McMullen Museum of Art (Boston College), 2005. Original wraps. SIGNED BY ARTIST DOROTHY CROSS on the title page. A pristine copy to boot of the catalogue based on the April-July 2005 exhibition at Boston College's McMullen Museum. Tight and Fine in its pictorial wrappers. Octavo, first-rate color reproductions thruout. More
Stuttgart: Arnoldsche Art Publishers, 2003. 1st. Hardcover. Published on the occasion of the April-July 2003 exhibition "Bernhard Schobinger--Jewels" at Zurich's Museum Bellerive, this fascinating monograph is bright and solid and has held up nicely. Tight and VG+ in its pictorial boards, with very light scraping at the rear panel. Quarto..... More
Cologne, Germany: DuMont Buchverlag, 1968. 1st. Original Wraps. A handsome copy of the catalogue based on the 1968 exhibition. Clean and Near Fine in its pictorial wrappers. New York's Hirschl & Adler Gallery blindstamp at the front free endpaper. More
Storrs, CT: The William Benton Museum of Art (University of Connecticut), 1980. Limited. Original Wraps. A very sharp copy of the catalogue based on the March-June 1979 exhibition at The William Benton Museum at The University of Connecticut. Tight and VG+ to Near Fine, with light foxing at the front..... More
George Braziller (Everson Museum of Art, Syracuse), 1998. 1st. Cloth. A clean, lovely copy of the 1998 catalogue, in its uncommon cloth. Tight and Near Fine in a bright, Near Fine dustjacket. Quarto, 151 pgs., including crisp black-and-white and rich color photography thruout. Published by George Braziller of New York..... More
Norfolk, VA: The Chrysler Museum, 1983. 1st. Original Wraps. A very sharp copy of the catalogue based on the January-March 1983 exhibition at The Chrysler Museum in Norflok, VA. Clean and Near Fine in its pictorial wrappers. More
Arkansas Art Center, 1999. Original wraps. INSCRIBED (in Russian) BY THE RUSSIAN-BORN FRENCH PAINTER VICTOR KOULBAK on the front free endpaper. A near-pristine copy to boot of the catalogue based on the May-June 1999 exhibition at the Arkansas Art Center. One tiny bump at the front panel's lower-tip, otherwise immaculate..... More
Monhegan, Maine: Monhegan Museum, 2001. 1st. Original Wraps. The catalogue based on the June-September 2001 exhibition at Monhegan Museum in Monhegan, Maine. Bright and Near Fine in its stapled pictorial wrappers. More
New York: National Lead Company, 1923. Original wraps. A crisp, very well-preserved copy of this uncommon 1923 Dutch Boy paint catalogue. Tight and Near Fine in its olive-green wrappers. Internally very clean as well, with no writing or markings of any kind. Also includes a sharp example of the laid-in..... More
New York: The Grolier Club, 2010. 1st. Original Wraps. A pristine copy of the 2010 catalogue of The Grolier Club exhibition. Bright and Fine in its pictorial wrappers. Oblong quarto, 156 pgs., crisp color lllustrations thruout. 1,500 copies issued. More
