Barcelona: Ediciones Poligrafa, 1970. Cloth. The 1970 1st European edition, printed in Barcelona and with text in English, Spanish, French and German. Clean and Near Fine in a crisp, VG+ dustjacket, with several small closed tears along the top-edges. Square octavo, hundreds of crisp black-and-white photos. Part of the Coleccion..... More
Boston: New York Graphic Society, 1975. Cloth. A handsome copy of the 1975 1st English language edition. Clean and Near Fine in a bright, VG+ to Near Fine dustjacket, with just a touch of light wear at the spine crown. Brick-sized, square octavo, crisp black-and-white and vivbid color photos throughout..... More
Cambridge, MA: The MIT Press, 1990. Cloth. A crisp, very sharp copy of the 1990 1st edition. Tight and Fine in a bright, Near Fine dustjacket, with just the faintest touch of light scratching to the rear panel. Folio, beautiful color and black-and-white plates thruout. Text by Marika Hausen, Kirmo..... More
New York: Rizzoli, 1990. Cloth. A nice Presentation copy: WARMLY INSCRIBED BY CESAR PELLI TO FRANCES LEHMAN LOEB, AFTER WHOM THE FRANCES LEHMAN LOEB ART CENTER AT VASSAR COLLEGE WAS NAMED. An all-but-pristine copy to boot of the 1990 1st edition. Clean and Fine in a crisp, Near Fine dustjacket..... More
Amsterdam: Architectura & Natura Press, 1991. Pictorial boards. A very sharp copy of the 1991 1st edition of this "ideal and practice of architectural training at the Bauhaus, based on the lecture notes made by the Dutch ex-Bauhaus student and architect J.J. van der Linden of the Mies Van Der..... More
Modern Art Museum of Fort Worth, 2002. Decorative Boards. A pristine copy of this 2002 series of interviews with Japanese architect Tadao Ando, published to coincide with the opening of the Modern Art Museum of Fort Worth (which Ando designed). Clean and Fine in its wonderful, decorative dark boards. THIS..... More
Victoria, Australia: The Images Publishing Group, 2002. Cloth. INSCRIBED BY STEVEN EHRLICH on the half-title. A gorgeous copy to boot of the 2002 1st edition. Clean and Fine in a bright, Fine dustjacket. Tall quarto, first-rate color and black-and-white reproductions throughout. More
New York: Horizon Press, 1963. Cloth. INSCRIBED BY OLGIVANNA LLOYD WRIGHT on the title page. A crisp, very presentable copy to boot of the 1963 1st edition. Solid and VG+ in a bright, price-intact, VG+ dustjacket, with a touch of light soiling to the panels and minor creasing at the..... More
Boston: Houghton Mifflin Company, 1973. Cloth. WARMLY, LENGTHILY INSCRIBED BY NATHANIEL OWINGS on the front free endpaper. A solid copy to boot of the 1973 stated 1st printing. Tight and VG+ in its oatmeal cloth, with just a touch of light spotting to the panels. Octavo, crisp black-and-white photos complementing..... More
Boston: Noughton Mifflin Company, 1973. Cloth. An impressive Association copy: INSCRIBED on the front free endpaper BY NATHANIEL ALEXANDER OWINGS in year of publication. A solid copy to boot of the 1973 stated 1st printing. Solid and VG+ (light soiling along the fore-edge) in a crisp, price-intact, VG+ dustjacket, with..... More
New York: Columbia University Press, 1940. Felt. A wonderful Presentation copy: BOASTING A TLS (A TYPED LETTER SIGNED) FROM NELSON ROCKEFELLER, REFERRING SPECIFICALLY TO THIS COPY, STATING "FATHER AND I WERE DISAPPOINTED THAT LACK OF SPACE MADE IT IMPOSSIBLE FOR US TO ASK ALL OUR EMPLOYEES IN THE CENTER TO..... More
New York: Clarkson N. Potter, 1992. 1st. Cloth. A sparkling copy of the 1992 1st edition, SIGNED BY AUTHOR NINA CAMPBELL on the half-title. Fine in a bright, price-intact, Near Fine dustjacket. Quarto, unpaginated. Signed by Author. More
Tokyo: Shokokusha Publishing Co., 1955. Cloth. A very sharp copy of the 1955 stated 1st edition. Tight and Near Fine in a crisp, Near Fine to Fine dustjacket. Quarto, rich black-and-white plates throughout. Text in both English and Japanese. More
New York: Random House, 1979. Cloth. INSCRIBED BY BOTH PHILIP JOHNSON AND JOHN BURGEE on the half-title. A sharp copy to boot of the 1979 stated 1st edition. Clean and Near Fine in a crisp, price-clipped, VG to VG+ dustjacket, with just a touch of light wear --and several very..... More
New York: The Monacelli Press, 1995. 1st. Decorative Cloth. SIGNED BY BOTH REM KOOLHAAS AND BRUCE MAU on the half-title. A very solid, clean copy to boot of the 1995 1st edition. Tight and Near Fine in its silver boards, with very light creasing along the spine crown. Very thick..... More
New York: Praeger Publishers, 1971. Decorative Cloth. A handsome copy of the 1971 1st American edition. Clean and Near Fine in a bright, price-intact, Near Fine dustjacket. Thick quarto, 421 pgs., high-quality color and black-and-white plates thruout. More
London: Phaidon Press, 2000. Boards. A pristine copy of the 2000 1st English language edition. Clean and Fine in a crisp, Fine dustjacket. More
Cambridge University Press, 1958. Cloth. The uncommon 1958 1st edition. Clean and Near Fine in a crisp, price-clipped, VG+ dustjacket, with very light creasing --and several small closed tears-- along the panel edges and the spine ends. Quarto, 16 full-page plates complementing P.H. Scholfield's text. More
Milan: l'Arcaedizioni, 1990. Cloth. An important Association copy, WITH A WARM, FULL-PAGE INSCRIPTION (AND BORDERING ARTWORK) FROM JOHN PORTMAN TO DICK POLICH at the front free endpaper. The 1990 1st edition, clean and sharp to boot. Solid and Near Fine in a bright, Near Fine dustjacket, with just a touch..... More
Cambridge, MA: The MIT Press, 1972. Card Wrappers. The June 1972 4th paperback printing. Clean and VG+ in its dark card wrappers. Immense oblong folio, with an even, vertical crease down the middle, as if the book were neatly folded exactly in half (actually making it much more manageable to..... More
New York: Praeger, 1971. Boards. A very sharp copy of the 1971 1st edition. Clean and Near Fine in a crisp, VG+ to Near Fine dustjacket, with one or two tiny closed tears along the panel edges. Square quarto, wildly illustrated (to project "Soleri's radical aesthetic and philosophy for urban..... More
New York: Whittlesey House (McGraw-Hill), 1938. Cloth. WARMLY INSCRIBED BY PAUL STARRETT on the front free endpaper. A solid copy to boot of the 1938 1st edition of this autobiography of renowned architect Paul Starrett (1866-1957), who, incredibly, designed the Empire State Building, the Flatiron Building, the original Penn Station..... More
Cambridge, MA: The MIT Press, 1971. Cloth. A solid copy of the 1971 1st edition of this impressive monograph on British architect William Butterfield (1814-1900). Tight and VG+ in a crisp, price-clipped, VG+ dustjacket, with very light creasing at the front panel's lower-edge. Thick quarto, dozens of good-quality black-and-white illustrations..... More
New York: Universe Books, 1970. Cloth. A solid, presentable copy of the 1970 1st edition. Clean and Near Fine in a bright, price-clipped, VG dustjacket, with very light wear and creasing along the spine ends and one or two tiny closed tears at the panel edges. Octavo, dozens of crisp..... More
New York: Praeger Publishers, 1973. Cloth. SIGNED BY ONE OF ARCHIGRAM'S KEY MEMBERS (AND THE EDITOR OF THIS COLLECTION) PETER COOK on the front free endpaper. An Advance Reading Copy of the 1973 1st American edition to boot, with the light-blue Praeger ARC slip laid-in. Clean and Near Fine in..... More
