Boston: Institute of Contemporary Art, 1986. 1st. Original Wraps. A very sharp copy of the catalogue of the Feb-April 1986 exhibition at Boston's Institute of Contemporary Art. Bright and Near Fine (with small former owner name at half-title) in its white wrappers. And in a crisp, Near Fine beige dustjacket..... More
Worcester, MA: The School Arts Magazine, 1930. Portfolio. Impressive 1930 portfolio, #10 in the series, issued by the School Arts Magazine of Worcester, MA. 36 loose plates (as issued) a handful of them in color, all contained within a card chemise, wonderfuly illustrated in a striking Deco style by American..... More
New York: Museum of Modern Art, 1936. Cloth. SIGNED BOLDLY BY SALVADORE DALI (AS SIMPLY "DALI") across the title page. A clean, very sharp copy to boot of the October 1936 stated 2nd --and "emended"-- edition. Tight and Near Fine in its light-brown cloth. Internally immaculate as well, with no..... More
New York: Da Capo Press, 1977. Cloth. SIGNED BY THE ARTIST JOSEPH SOLMAN on the front free endpaper. A solid copy to boot of the 1977 1st edition. Clean and Near Fine in a bright, price-intact, VG+ dustjacket, with one small scuff at the front panel's top-edge. Oblong quarto, nice..... More
Scottsdale, Arizona: Paradise House, Inc., 1989. Hardcover. INSCRIBED BY THE ARTIST AGNESE UDINOTTI at the rear. A very sharp copy to boot of the 1989 1st edition. Bright and Near Fine in its pictorial laminate boards. Signed by Author. More
Self-published, 1987. Cloth. First Edition. INSCRIBED IN YEAR-OF-PUBLICATION BY MAURICE HEXTER on front free endpaper. An As New copy to boot of this 1987 monograph on the sculptor's work. Immaculate and Fine and also including a Fine example of the pictorial slipcase. Signed by Illustrator. More
New York: E. Weyhe, 1935. 1st. The 1935 signed/limited. #136 OF 212 COPIES "HAND PRINTED FROM STONE AND SIGNED FOR INCLUSION IN THIS BOOK" BY GIOVANNI NAPOLITANO. A well-preserved copy to boot: VG in its full vellum, with rubbing at the rear pastedown. And in a bright, VG dustjacket, with..... More
Florida: Boco Raton Museum of Art, 1993. 1st. Original Wraps. The catalogue based on the March-April 1993 exhibition at the Boco Raton Museum of Art. Solid and VG+ in its pictorial wrappers. Blindstamp of New York's Hirschl & Adler Gallery at the half-title. More
Germany: DuMont Literatur Und Kunst Verlag, 2007. Hardcover. A pristine copy of the 2007 2nd edition. Clean and Fine in its pictorial boards. Tall quarto, crisp color reproductions thruout. Impressive catalogue of the Kunstmuseum Wolfsburg exhibition. Text in English. More
Munich: Art Forum Thomas, 1987. 1st. Original Wraps. The vcatalogue based on the September-October 1987 exhibition at Munich's Art Forum Thomas. Clean and VG in its stapled pictorial wrappers, with one crease at the lower front panel. More
Paris: Editions Cercle d'Art, 1990. Cloth. The 1990 French edition of this impressive catalogue of the Nicolas Poussin holdings at The Hermitage in Leningrad and The Beaux-Arts Pouchkine in Moscow. Clean and Near Fine in a bright, Near Fine pictorial dustjacket. Folio, vivid color reproductions thruout. More
Tokyo: Niki Museum, 1998. 1st. Original Wraps. Colorful, richly-illustrated 1998 Japanese catalogue, issued by the Niki Museum. Bright and VG+ in its original wrappers. Also includes a VG+ example of the publisher's mylar dustjacket and wraparound band (obi). Quarto, 145 pgs., text in Japanese. More
Seguros America, S.A., 1985. 1st. Cloth. The 1985 1st edition of this impressive sampling of Seguros America's Mexican art collection, including magnificent examples by some of the giants of the 20th century, such asTamayo, Oroszco, Siqueros, Rivera, Kahlo, etc. Solid and VG (with light wear to the panels) in a...... More
New York: Hudson Hills Press (Nahan Editions), 2004. Cloth. A near-pristine copy of the 2004 1st edition. Tight and Fine in a bright, Near Fine dustjacket. Folio, wonderful color reproductions thruout. More
Venice: Biennale di Venezia/Galleria Internazionale d'Arte Moderna, 1990. Original wraps. INSCRIBED BY EDUARDO CHILLIDA on the half-title. A very sharp copy to boot of the catalogue based on the March-September 1990 exhibition at Venice's Galleria Internazionale d'Arte Moderna. Clean and Near Fine in its pictorial wrappers, with just a touch..... More
New York: Semaphore Gallery, 1981. Ephemera. A folded single sheet (measuring 16 1/2"x10 1/2") announcing the upcoming Sept-Oct 1981 exhibition at New York's Semaphore Gallery. The show (titled "The Anxious Figure: An Invitational Exhibition") features 13 artists, including Keith Haring, Alice Neel, Robert Longo, Ed Paschke, John Ahearn, Jedd Garet..... More
Germany: Ulmer Museum, 1984. 1st. Original Wraps. The catalogue based on the July-September 1984 exhibition at the Ulmer Museum. Clean and Near Fine in its pictorial wrappers. More
Chicago: Signature Galleries, 1975. 1st. Original Wraps. A clean copy of this uncommon catalogue based on the 1975 exhibition at Chicago's Signature Galleries. VG in its stapled, pictorial wrappers, with one small closed tear along the spine crown. Only 200 copies issued. More
New York: Gallery 456, 1999. Original Wraps. First Edition. 1999 catalogue of the exhibition at Gallery 456 in Soho. Bright and Fine in its pictorial wrappers. 16mo, 96 pgs. More
Paris: Centre Georges Pompidou, 1978-1981. Original wraps. 3 separate catalogues issued by Centre Georges Pompidou in the late 70s/early 80s. All 3 are bright and VG+ to Near Fine in their pictorial wrappers and all are thick, uniform quartos. Small former owner blindstamp at the half-title of "Paris-Paris", otherwise all..... More
Paris: Centre National d'Art et de Culture Georges Pompidou, 1979. Pictorial cover. A clean, tight copy of the catalogue based on the May-November 1979 exhibition at Paris's Centre Nationale d'Art et de Culture Georges Pompidou. Solid and Near Fine in its much less common hardback, with just a touch of..... More
London: Faber & Faber, 1948. Cloth. A very presentable copy of the 1948 1st English language edition. Clean and VG+ in a bright, price-clipped, VG dustjacket, with light offsetting and several small closed tears at the panel edges. Oblong octavo, 55 pgs. More
