New York: Grove Press, 2000. Cloth. A pristine copy, limited to 250 numbered copies and including a signed, limited print. The 1st Grove hardback edition, based on the classic 1971 original edition. More
Highlands, North Carolina: Jonathan Williams, 1960. A nice Association copy of the 1960 1st edition. INSCRIBED BY HARRY CALLAHAN TO FELLOW PHOTOGRAPHER ART SINSABAUGH on the title page. Tight and VG in its pictorial wrappers, with light wear along the spine, mild creasing to the front panel's lower-tip and light..... More
Easton, PA: Lafayette College, 1997. Original wraps. The catalogue based on the September 1997 exhibition at Lafayette College, Easton, PA. Solid and VG+ in its stapled pictorial wrappers, with very light soiling to the panels. Square octavo, 21 pgs. More
Minneapolis: Cray Research, Inc., 1987. Cloth. A pristine copy of the 1987 1st edition. Tight and Fine in its russet cloth. Square quarto, Lee Friedlander's crisp, evocative black-and-white photos thruout. Also includes a Fine example of the separate presentation portfolio, which includes 4 additional photos. More
New York: Harper & Row, 1976. Cloth. A Review Copy (with the Review Slip laid-in) of the 1976 1st American edition. Solid and Near in a bright, price-intact, VG+ dustjacket, with very light creasing along the top-edges. Tall quarto, 224 pgs. A very impressive achievement from the ageless Leni Riefenstahl..... More
New York and London: A.S. Barnes & Co. and Thomas Yoseloff Ltd., 1964. Cloth. A very impressive copy of the 1964 1st edition. Tight and Near Fine to Fine in a crisp, price-intact ("$10.00"), Near Fine dustjacket, with just a touch of faint soiling at the rear panel. Quarto, immaculate..... More
Paris: Editions Des Chroniques Du Jour, 1932. 1st. Original Wraps. 1932 1st edition, WARMLY INSCRIBED BY LOUIS CHERONNET on the half-title. VG- in its original pictorial wrappers (with one light split at the lower-half of the spine) and in a VG- example (with light chipping along the spine) of the..... More
New York: Stettner Studio, 1975. Original wraps. Impressive 1975 portfolio of black-and-white portraits by Lou Stettner, "in celebration of international women's year". #48 OF 1,000 COPIES ISSUED SIGNED BY LOU STETTNER. Mising 1 of the 22 photographs but the remaining 21 are in pristine condition. The attractive pictorial chemise has..... More
New York: Stettner Studio, 1974. Original wraps. WARMLY INSCRIBED BY LOU STETTNER at the introduction. A very solid copy to boot of this 1974 portfolio, a collection of 24 black-and-white Lou Stettner portraits. Slight waviness at the top of several of the plates but all of the photographs themselves are..... More
Marseille, France: AGEP, 1980. Cloth. LAVISHLY INSCRIBED BY LUCIEN CLERGUE on the half-title. A very sharp copy to boot of the 1980 1st edition. Tight and Near Fine in a bright, Near Fine dustjacket, with just a touch of light chipping at the spine crown and the slightest amount of..... More
Paris: Editions Paul Montel, 1985. 1st. Decorative Cloth. WARM, FULL-PAGE INSCRIPTION BY LUCIEN CLERGUE on the half-title. A sharp copy to boot of this uncommon 1985 1st edition. Folio, 127 pgs, crisp color and black-and-white photography thruout. Signed by Author. More
New York: Random House (A Ridge Press Book), 1966. Cloth. WARMLY INSCRIBED BY THE PHOTOGRAPHER KEN HEYMAN TO HIS DOCTOR on the front free endpaper. A solid copy to boot of the 1966 1st edition. Tight and VG (with light spotting at the rear panel) in a bright, price-intact, VG..... More
Santa Fe, NM: Arena Editions, 1999. Cloth. SIGNED BY PHOTOGRAPHER LYNN DAVIS on the half-title. An all-but-pristine copy to boot of the 1999 stated 1st trade edition. Tight and Fine in a bright, Near Fine to Fine dustjacket. Quarto, lovely black-and-white reproductions at each verso. More
New York: Crown Publishers, 1968. 1st. Cloth. An unusually bright, crisp copy of the 1968 1st edition. Clean and Near Fine in a very sharp, Near Fine pictorial dustjacket. Folio, wonderful black-and-white photography thruout. Text and design by Alain Wienc. More
Bonn, Germany: Verlag Der Europaischen Bucherei, 1968. Cloth. A very sharp copy of the 1968 1st German edition, INCLUDING THE PUBLISHER'S UNCOMMON WRAPAROUND BAND. Tight and Fine in a crisp, Near Fine dustjacket, with several very small closed tears along the top-edge. Folio, wonderful Marcel Veronese black-and-white photos of the..... More
New York: Alfred A. Knopf, 1981. Cloth. The 1981 stated 1st edition, in its less common hardback edition. Tight and Near Fine to Fine in a crisp, price-intact, Near Fine dustjacket, with one light crease running vertically along the front flap. Quarto, Mary Ellen Mark's jarring color photographs thruout. More
Readymade Music Pubishing Co., 1983. Masayoshi Sukita. Hardcover. A crisp, very well-preserved copy of the 1983 1st edition. Clean and Near Fine in a bright, Near Fine dustjacket, with the uncommon Japanese wraparound band (or obi) completely intact. Quarto, rich gravure and color photography thruout by Masayoshi Sukita. Text in..... More
Altadena, CA: Twin Palms, 1990. Cloth. A bright, very sharp copy of the 1990 1st trade edition, limited to 6,000 copies. Tight and Fine in a crisp, Near Fine dustjacket. Tall quarto, rich black-and-white photography thruout. More
Millerton, New York: Aperture, Inc., 1978. Boards. SIGNED BY ROBERT FRANK on pg. 78, just below 2 of his black-and-white photographs ("Peru, on the Road, 1948" and "Public Gathering, Switzerland, 1951"). A crisp, very sharp copy to boot of the 1978 1st edition. Tight and Near Fine in its pictorial..... More
Brooklyn: Unnatural Kingdom, 2016. Cloth. SIGNED BY THE PHOTOGRAPHER MISKA DRASKOCZY on the half-title. A near-immaculate copy to boot of the 2016 1st edition. Crisp and Near Fine in its slate-gray boards, with mounted photograph to the front panel. A touch of scuffing at the rear panel, otherwise clean as..... More
Glen Oaks, NY: Self-publshed, 1976. Cloth. The 1976 stated 1st printing, SIGNED BY N. JAY JAFFEE on the front free endpaper. Clean and Near Fine in a bright, price-intact, VG dustjacket, with several small closed tears along the spine crown. Oblong octavo, crisp black-and-white photographs thruout. Signed by Author. More
Industrial Park, Tefen, Israel: The Open Museum, 1992. Original wraps. SIGNED BY TIM GIDAL on the title page. A very sharp copy to boot of the 1992 1st edition. Tight and Near Fine in its pictorial wrappers, with just a touch of wear along the spine ends. Quarto, crisp black-and-white..... More
Santa Fe: Arena Editions, 2001. Hardcover. An immaculate copy of the 2001 1st edition. Tight and Fine in a Fine example of the publisher's printed acetate dustjacket. Quarto, crisp color and black-and-white reproductions thruout. More
Museum of Modern Art, New York, 1945. 1st. Hardcover. A sparkling copy of the Nov. 1945 2nd edition (1st edition was April 1945). Limited to 2500 copies. VG+ in a bright, VG+ dustjacket with the slightest amount of rubbing along the back panel and the faintest trace of staining along..... More
