New York: Harper & Row, 1967. Hardcover. A beautiful copy of the 1967 stated 1st U.S. edition, preceded only by the 1965 original Japanese printing. Tight and Fine in a crisp, price-intact, Fine dustjacket. Quarto, 203 pgs., lovely gravure photography thruout. Foreword by the estimable George Nelson, photography by Michikazu..... More

New York: The Pace Gallery, 2010. 1st. Hardcover. A pristine copy of the catalogue based on the November-December 2010 exhibition at New York's Pace Gallery. Clean and Fine in its laminate pictorial boards. Tall quarto, beautiful reproductions thruout. More

Last Gasp of San Francisco, 1981. Pictorial wrappers. SIGNED BY BOTH F STOP FITZGERALD AND RICHARD MCCAFFREY on the title page. A solid copy to boot of the November 1981 3rd revised edition. Bright and VG in its pictorial wrappers, with light staining along the rear panel's fore-edge and very..... More

Tokyo: Asahi Shimbun Publishing Co., Ltd., 1955. 1st. Cloth. The 1955 1st edition, with handsome gravure --and high-quality color-- photography thruout. Tight and VG+ in a bright, VG dustjacket, with light creasing along the spine ends and panel edges. Also includes the publisher's original outer cellophane jacket, which has served..... More

New York: Simon and Schuster, 1960. Cloth. INSCRIBED BY IRVING PENN on the front free endpaper. A crisp, unusually sharp copy to boot of the 1960 1st edition of the photographer's first published collection. Tight and Fine in a bright, Near Fine dustjacket, with just the slightest touch of light..... More

London: Peter Owen, 1965. Cloth. 1st UK edition of this landmark Depression-era collaboration between James Agee and the great Walker Evans. Solid and VG+ in a bright, price-intact, VG dustjacket, with very light fading at the spine. Thick octavo, 471 pgs. More

Barre, MA: Barre Publishers, 1972. 1st. Cloth. WARMLY INSCRIBED BY JAMES HOUSTON on the half-title. A sharp copy to boot of the 1972 1st edition. Clean and Near Fine in a bright, price-intact, VG+ dustjacket, with very light foxing along the flap-folds. Tall quarto, crisp black-and-white photos thruout by B.A...... More

Brooklyn: powerHouse Books, 2009. Cloth. SIGNED BY THE PHOTOGRAPHER JEFF MERMELSTEIN at the half-title. A near-pristine copy to boot of the 2009 1st edition, which was limited to 1,500 copies. Tight and Near Fine in its dark-brown cloth, with just a touch of light scuffing at the front panel. Tall..... More

Boston: Little, Brown and Co. And The Corcoran Gallery of Art, 1996. 1st. Hard Cover. Stated 1st edition of the hardback catalogue of the exhibition at the Corcoran Gallery in Washington, March-May 1996. Clean and Near Fine in a bright, price-intact, Near Fine dustjacket. Quarto, 170 pgs. Deeply poignant--and artful--..... More

Boston: New York Graphic Society (Little, Brown), 1983. Cloth. A bright, crisp copy of the 1983 stated 1st printing. Tight and Near Fine in a clean, Near Fine dustjacket. 2 discreet, inconspicuous bookseller stamps along the bottom-edge, otherwise very sharp. Oblong quarto, Meyerowitz's stark color photos throughout. More

Pasadena, CA: Twelvetrees Press, 1985. Cloth. A pristine copy of the uncommon 1985 signed/limited of Joel-Peter Witkin's first monograph. #71 OF ONLY 100 COPIES SIGNED BY JOEL-PETER WITKIN on the title page. Tight and Fine in a crisp, Fine dustjacket. Square quarto, Witkin's richly-developed, beguiling black-and-white photos thruout. Also includes..... More

John Gossage. Loose photographs. Very scarce re-issue (possibly pirated), with 5 additional plates -- here totalling 23 rather than the 18 called for in the 2000 original edition by Nazraeli Press. Limitation, year-of-publication and publisher all unknown. The prints loose as issued, contained within a gray cardboard box (the cover..... More