New York: Random House, 1941. Cloth. The 1941 stated 1st printing, IN THE UNCOMMON PICTORIAL DUSTJACKET. Clean and Near Fine in a crisp, price-intact, VG- to VG dustjacket, with light chipping --including several small closed tears-- and light creasing along the panel edges. Still though, very presentable. Quarto, Robert Capa's..... More

New York: The New York Times, 1959. Boards. The 1959 1st (and only) edition of one of Robert Frank's most elusive --and most fragile-- titles and his first published work after the triumph of "The Americans". Published by the New York Times as a promotional for potential advertisers, "New York..... More

Vaencia, Spain: Sala Parpallo/Institucio Alfons El Magnanim, 1985. Pictorial wrappers. A clean, very sharp copy of this uncommon Robert Frank catalogue based on the March-April 1985 exhibition at Valencia's Sala Parpallo and Institucio Alfons El Magnanim. Tight and Near Fine in its pictorial wrappers, with crisp black-and-white reproductions of some..... More

The New York Times, 1963. 1st. Hardcover. The 1963 1st edition, in the glassine dustjacket. Tight and Near Fine in a completely-intact, VG dustjacket, with a perfectly circular light coffee ring at the front panel. Octavo, wonderful photographs thruout by Robert Frank. More

Full leather. Wonderful Princeton University photo album, put together by Robert Johnson McClintock '17 (same graduating class as F. Scott Fitzgerald, who left early in his Senior year and never graduated). The album, an oblong quarto, roughly spans McClintock's 4 year tenure (1914-1917) at Princeton and captues the construction of..... More

New York: Farrar , Straus and Giroux, 1983. Boards. SIGNED BY ROMAN VISHNIAC on the first pictorial endpaper. An unusually clean, impressive copy to boot of the 1983 stated 1st edition. Tight and Fine in a crisp, easily Near Fine to Fine dustjacket. Square quarto, Vishniac's deeply moving, heartfelt portraits..... More

Paris: Editions du Chene/Hachette, 1979. Cloth. A pristine copy of the 1979 1st French edition. Clean and Fine in a bright, Fine dustjacket. Tall quarto, crisp reproductions of Atget's masterful black-and-white photographs. Also includes a clean example of the cardboard slipcase. More

New York: Crown Publishers, 1965. 1st. Cloth. A very sharp copy of the 1965 1st American edition. Tight and VG+ in a bright, price-clipped, VG+ to Near Fine dustjacket, with just a touch of wear along the spine crown. Folio, wonderful sensual black-and-white photos thruout. More

Washington, D.C. National Gallery of Art, 1996. 1st. Cloth. A lovely copy of the 1996 catalogue based on the exhibition at the National Gallery of Art. Immaculate and Fine in a bright, Fine dustjacket. Quarto, crisp black-and-white plates thruout. More

Paris: Editions Filipacchi, 1981. Cloth. A crisp, clean copy of the 1981 1st edition of this surreal Serge Gainsbourg erotic fantasy/nightmare. Tight and Near Fine in a bright, Near Fine dustjacket. Quarto, Gainsbourg's vivid color photography thruout. More

Shimpei Asai, 1970. Cloth. A handsome copy of this uncommon 1970 Japanese title, with crisp, evocative black-and-white photos thruout (of everyday settings and scenes in America) by Shimpei Asai. Clean and Fine in a bright, Near Fine dustjacket. (And also includes an outer glassine dustjacket, which helped to protect the..... More

Millerton, NY: Aperture, Inc., 1982. Cloth. SIGNED BY STEPHEN SHORE on the half-title. A very solid copy to boot of the 1982 1st trade edition. Tight and VG+ to Near Fine (small, neat inscription to author Jean Stein {"Edie: An American Biography"} on the front free endpaper) in a crisp..... More

Gnomon Press (for Virginia Polytechnic Institute and State University), 1978. Pictorial wrappers. SIGNED BY THE POET AND PUBLISHER (OF JARGON PRESS) JONATHAN WILLIAMS, WHO SELECTED THE EXHIBITION AND CO-WROTE THE TEXT. A very sharp copy to boot of the catalogue based on the October-November 1978 exhibition at Virginai Polytechnic Institute..... More